#ARRIRAW TRANSCENDING SILVERSTACK MOVIE#

SilverStack is one of the first applications to support a digital dailies workflow with QuickTime-support for the hi-end digital movie camera from Arri. Apart from storage they want me to: - Transcode the files into something easy for the director/editor to look and see how its going with rec709 applied. They are shooting with an Alexa SXT Plus. Also, I expected to pass this EDL throught Silverstack to locate the media. Pomfort SilverStack v1.5 has added support for the ArriRaw format from D-21 Arri digital film cameras to their production-proof application suite. Its my first experience in an environment like this. Since the Tape Name is actually the card name, will this make me have any problems in the conform? Even if I use AAF? I believe they will use baselight or resolve in the end. I tried this moring to export an EDL and the souce file was not the Master clip name, it was the subclip used in the sequence. Including filters, lenses, best takes etc The beauty of this is that I have absolutely all the metadata I will ever want or need. Sync into subclips and rename those to ScenceShotTake Make a copy of the Master clp Name column to Journalist.ĥ) Log as usual. emotion on his face, which transcends the mere words in the transcript. Add a burnin window (which actually only works if I use DNxHD 8 bit, not 10-bit) and export this to MXF DNxHD 175.Ĥ) Import using the AAF to Avid. but record to ProRes 4444, instead of ARRIRAW (except for some VFX shots).

Export an ALE for this.ģ) Using Resolve, we transcode the Footage using 'Assist using reel names from the:embedding in source clip'. Also, using silverstack, we fill in all the camera and script supervisor notes. So, I guess partily because we get paranoid and partly because I want to double check my workflow, I would like if you could take a look at this.ġ) Alexa is shot with ArriRaw in opengate.Ģ) We offload and backup to an LTO using Silverstack.

Arriraw transcending silverstack